.:: JACK CURTIS DUBOWSKY ENSEMBLE ::.

JACK CURTIS DUBOWSKY ENSEMBLE

JCDE ZORRO Album Cover

ZORRO

NEW ALBUM available digitally APRIL 28, 2017

JCDE To Perform ZORRO Live to Screenings of Original Film

The Mark of Zorro LIVE PERFORMANCES
 
Sat   May 13, 2017 7pm HM157, Los Angeles CA
Thurs   Apr 27, 2017 7pm Santa Monica Public Library, Santa Monica CA
 

FOR IMMEDIATE RELEASE: The Jack Curtis Dubowsky Ensemble (JCDE), an internationally recognized new music group that combines acoustic instruments, electronic hardware, composed material and structured improvisation are readying the release of an all new album - their creative take on the classic silent movie The Mark of Zorro. Titled ZORRO, the striking score nimbly navigates the quick cutting action and drama while fleshing out the political and social overtones underlying the '20s swashbuckling adventure film.

ZORRO is performed by founder, composer, and producer Jack Curtis Dubowsky (conductor), Alicia Byer (clarinet), R. Scott Dibble (piano), Dr. Angelo Metz (guitars), Slam Nobles (percussion), Dr. Jeff Schwartz (double bass) and Dr. Charles Sharp (bass clarinet, flute, cornet, electronics). The album was recorded by legendary engineer Earle Mankey known for his work with The Beach Boys, Elton John, Concrete Blond, Sparks and many more. The album was recorded and mixed in two days by Mankey. ZORRO is the JCDE's fourth album and their first since 2011, JCDE III.

The Mark of Zorro (1920) stars Douglas Fairbanks and is set in Spanish colonial California circa 1820. The film emphasizes "Native" people as indigenous, and the white, European Spaniards as complex interlopers. It has love, humor, and swashbuckling swordfights. It stars Douglas Fairbanks in his first "costume drama," but also features genuine indigenous actors, such as Tote du Crow. The indigenous people and friars are always good guys, and the colonial Spanish are either bad or good, depending upon the character. Even as it is politically progressive, The Mark of Zorro remains problematic. Zorro is a white, blue-blooded Spanish noble, not a real bandito, making the hero a classic White Savior.

Says Dubowsky: "The Mark of Zorro (1920) resonated with me for a variety of reasons. There are political overtones that ring true today: an oppressed indigenous underclass, a struggling middle class (the Pulidos), an overt questioning of colonialism and economic hierarchies. The film reminds us that progressive ideology has a long Hollywood history, but so does revisionist history, problematic stereotyping, and #OscarsSoWhite typecasting."

To pre-order ZORRO visit: